20 years of live events
We tried every platform.
Then we built our own.
We have been producing live events for 20 years. We used almost every major ticketing platform. None of them understood what immersive venues actually needed. So we built ScreamTix — not to disrupt ticketing, but because we needed it to exist.
The real cost
How much is your ticketing platform really making your team do?
The visible cost is the percentage on every ticket. The hidden cost is everything your team still has to do around it: answering booking questions, adding extra guests, checking people in, sending reminders, managing refunds, chasing consent, issuing vouchers and keeping spreadsheets alive.
That is where most platforms fail. They process the payment, then leave your team to run the experience around it.
The real question is not what your ticketing platform costs. It is how much work it still leaves behind.
In practice
The bookings you’re losing right now
John is organising a work night out. Three people have not confirmed. He can overpay and hope, or wait until everyone commits.
He waits. A week later, someone suggests something else. You lose the booking — not because he did not want to come, but because uncertainty gave him a reason to hesitate.
Most operators do not offer refunds — and they should not have to. But that leaves John stuck between overpaying and losing the slot.
Mary was just a +1 on a group booking. No account, no relationship, no reason to return to your website. Every other platform knows her friend. Mary is invisible to them.
With ScreamTix, Mary checks in, creates her own account, logs in afterwards to view her reaction videos, manages her own consent and shares the experience with her own friend groups.
Pricing
We believe our job is to make you money, not drain it.
ScreamTix uses a credit-based pricing model.
Credits are consumed when the platform performs tasks on your behalf, such as processing bookings, handling refunds, sending customer communications, distributing media and automating operational processes.
The intention is simple: ScreamTix should be paid when it adds value to your business.
ScreamTix should make you more than it costs.
If it doesn’t, we are not doing our job.
Average monthly ScreamTix cost at ScreamWorks for every £10,000 of monthly ticket revenue.
Platform capabilities
A few of the things ScreamTix can do.
This is not a complete feature list. ScreamTix is a full operating system for live experience producers — built from the problems we had to solve in our own venue.
Built for experienced producers.
ScreamTix works with experienced producers who have outgrown generic ticketing platforms.
If you find yourself relying on spreadsheets, workarounds, manual processes or third-party tools to bridge the gaps in your current system, you’re exactly who we built ScreamTix for. We’ve been there ourselves.
If you recognise the problems on this page — or the opportunities our platform creates — let’s talk.
